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In late April, 1997, Bruce
Lehman, Commissioner of Patents and Trademarks, publicly stated that the
Proposed Guidelines negotiated by CONFU participants had failed to achieve
consensus support. In May, 1997, at its third "final" meeting
in Washington, D.C., CONFU participants concurred. None of the Proposed
Guidelines would survive the comment and endorsement process that ended
in May.
Since the Multimedia Guidelines
had a life of their own apart from CONFU (see Background
Information), their proponents indicated that they were alive and
well and ready for use, but the future for the other two (Images and Distance
Learning) is uncertain. The Reserve Guidelines had already fallen by the
wayside early last fall (1996).
What
happened and what does it mean
for fair use in the electronic environment?
CONFU
Background Information and Guidelines
The Final
Report of the PTO
Other Guidelines Sites

[Ninety-three]
organizations representing for-profit and nonprofit publishers, the software
industry, government agencies, scholars and scholarly societies, authors,
artists, photographers and musicians, the movie industry, public television,
licensing collectives, libraries, museums, universities and colleges spent
untold amounts of money and more than 2 1/2 years of their time and their
energy to find agreement on the scope of fair use in various electronic
contexts. Now it seems that not enough of their constituents, and in some
cases, not even the participants themselves, agreed with the result to
qualify the Proposed Guidelines as consensus documents. Forgive the overgeneralization,
but users thought the Guidelines were overrestrictive and copyright owners
thought they were giving away too much.
- Does this mean that no one
should use the Guidelines?
- Does it mean that the Guidelines
do not represent a "safe harbor" where users are free from
the threat of lawsuit for infringement?
- Does it mean that if you
follow the Guidelines you may be undercutting your rights to a more
expansive scope of fair use?
- Does it mean that any guidelines
you might devise on your own are risky business?
- Will it be safe to follow
proposed "User
Community Principles" and educator- and librarian-generated "Best
Practices" concerning fair use?
- Where is the line between
fair and unfair use?
- If you are a copyright lawyer,
what should you do to guide those who depend on you to draw the line?
- Are all bets off? Will the
gloves be coming off soon?
One thing seems clear: there
is very wide and deep disagreement about the scope of fair use. There
are only a limited number of ways to get beyond this seeming impasse.
- Negotiation
- Litigation
- Legislation
- The End Run
Negotiation
The failure of CONFU suggests
that negotiation over the scope of fair use has failed.
Litigation
Deep disagreement over the
scope of fair use also affects the litigation alternative. Courts
may remit damages even when they find infringement where the infringer
reasonably believes that what he did was a fair use. Consider this:
- Of 13 judges on the Sixth
circuit, 8 believe that commercial,
for-profit preparation of coursepacks by Michigan Document
services is not a fair use; 5 believe it is.
- The Sixth Circuit remanded
the MDS case for reconsideration of the lower court's assessment of
damages. The Court apparently felt that MDS's belief that what it did
was fair use was reasonable under the circumstances.
- Major national organizations
disagree over whether the Electronic Reserve Guidelines
represent a reasonable scope for fair use in that context. Some think
the Guidelines are too narrow. Others think they are too broad.
- There is so much disagreement
over whether the Image, Distance Learning and Multimedia Guidelines
fairly describe the scope of fair use in their respective contexts that
CONFU failed to produce consensus documents in these areas after 2 1/2
years of work.
In this climate, plaintiffs
are unlikely to get damage awards against nonprofit educational institutions
that follow reasonable rules about fair use. Lawsuits are expensive, time-consuming,
ugly affairs, but if they "clarify" that the scope of fair use
is narrower than many thought, they may be well worth the effort, even
if the plaintiff does not win the big money. On the other hand, if they
clarify that the scope of fair use is broader than many thought, they
could be a huge mistake for the plaintiffs. Litigation is probably not
the best way to clarify the scope of fair use.
Legislation
Legislation is negotiation
with tons of money thrown in. It could work well for copyright owner interests,
really well if the user community is not even at the table. We may not
have a choice about whether we undertake this alternative. If legislation
is introduced that affects user interests, we must join in.
The End Run
But, in the end, the most important
game will be the end run. This is where it all comes down to dollars and
cents. Users describe what they want to do with a copyright owner's work,
and the copyright owner states a price for that use. There may be negotiation
over the permitted uses and the prices, but not over what
is or is not fair use. This is why licensing
matters. This is the future. This is not to say that mentioning fair
use in a license agreement is unimportant. But, it is to say that it probably
will not affect the bottom line and it should not affect the description
of permitted uses. It should be CLEAR what users
can do, and a statement like, "fair uses are permitted," is
NOT CLEAR. Go for clear.
The Questions
So, back to the questions at
the beginning of this article, and this time, some answers:
- Does this mean that no one
should use the Guidelines?
No. They are a good starting
point.
- Does it mean that the Guidelines
do not represent a "safe harbor" where users are free from
the threat of lawsuit for infringement?
The nature of the disagreement
over the Guidelines means that they technically cannot be considered
a safe harbor. On the other hand, there may be practical considerations
that lessen the likelihood of a lawsuit against someone following
the Guidelines, since they are probably more conservative than anything
that will be developed by the user community in their wake.
- Does it mean that if you
follow the Guidelines you may be undercutting your rights to a more
expansive scope of fair use?
Yes, but no one knows for
sure.
- Does it mean that any guidelines
you might develop on your own are risky business?
If you use good judgment
and have a reasonable basis for your guidelines, you probably are
no worse off than if you use the CONFU Guidelines. It's sort of like
every reasonable definition for fair use is fair game for a lawsuit,
but at the same time, subject to the good faith defense. Just be reasonable.
- Will it be safe to follow
proposed "User
Community Principles" and educator- and librarian-generated "Best
Practices" concerning fair use?
There may be safety in
numbers, and it certainly feels better to be doing what everyone else
is doing, but there are no guarantees.
- Where is the line between
fair and unfair use?
There is no line. Don't
look for one.
- If you are a copyright lawyer,
what should you do to guide those who depend on you to draw the line?
I would recommend participation
in the ALA, et al's
efforts to develop user community principles and best practices
and stick fairly closely to them. Nevertheless, I've already developed
a Comprehensive Copyright Policy for U.T. System
and I am pretty comfortable with it, even though I know there are
those who may disagree with my judgment. I have done much research
and thought long and hard about the issues and this is what I think
is fair use.
- Are all bets off? Will the
gloves be coming off soon?
I don't think so, but it
really depends upon how soon copyright owners figure out how to make
a living in the electronic environment. They are really scared. When
they get their bearings, things should settle down. It's their livelihood
after all.
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