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Copyright Law in CyberspaceNACUA Midyear WorkshopFebruary 28 - March 1, 1996![]() Georgia HarperOffice
of General Counsel
|
Widespread use of electronic means to disseminate information means that the possibility of infringement is increasing exponentially. As a result, University attorneys must provide more guidance to faculty, students and staff about Copyright Law.
When we are publishers ourselves:
Section 107 of the Copyright Law describes four factors that must be taken into account in analyzing whether copying is fair use.
Mixed Signals: Everyone expected the White Paper to clearly state whether fair use would still apply in the electronic environment. The White Paper explicitly declined to address the issue while implying that fair use would not be of much importance in the electronic environment, yet nonetheless established the Conference on Fair Use to develop educational guidelines. The following examples further illustrate the ambiguous and confusing state of the law:
The "Constitutional" theory of fair use:
Regardless of the confused state of the law, we still must apply it.
These uses are core fair uses and should be relatively unaffected. The imposition of an obligation to ask or pay for permission is inimical to the processes these uses facilitate.
General electronic access may eliminate the need for subclasses of institutional copying (coursepacks, reserves, etc.) and the debate over the scope of fair use in those subclasses.
What obligation might the University have to secure for students and other users of its electronic information the right to download and print out for personal use?
The outcome of the debate over whether "market failure" completely explains the existence of fair use will affect the way we acquire access and what rights we have to use materials once acquired. Ultimately, Universities will need to take a more active role in licensing and copyright management to have an effect on costs to acquire and use digital information.
Who is responsible for infringement? How is fair use taken into account?
As we move from institutional to personal copying, and to the extent there is some liability for infringement, who will keep track and remit?
Will it cost the same regardless of whether we acquire sufficient access for all our needs (institutional or personal) upfront or acquire a bare access and have to pay further for the right to use the works once we access them?
In either case, for most Universities and their students, faculty and staff, these costs represent additional payments. Where should this money come from?
In order to be of long-term benefit, a blanket license may have to cover electronic rights and both institutional and personal copying.
Universities need to address the policy issues triggered by the electronic revolution.
Policies must clarify who owns what in the context of complex creations.
Case Citations:
American
Geophysical Union v. Texaco, Inc., 37 F.3d 881 (2nd Cir. 1994).
Basic Books, Inc. v. Kinko's Graphics Corp., 758 F. Supp. 1522
(S.D.N.Y. 1991).
Campbell
v. Acuff-Rose Music, 114 S. Ct. 1164, 127 L. Ed. 2d 500 (1994).
Playboy Enterprises, Inc.
v. Frena, 839 F.Supp. 1552 (M.D.Fla. 1993).
Religious
Technology Center v. Netcom On-Line Communication Services, Inc.,
No. C95-20091 RMW (N.D.Cal 1995).
Princeton
University Press v. Michigan Document Services, Inc., 1996 FED App.
0357P (6th Cir.)
Sega Enterprises Ltd v. Maphia, 857 F. Supp. 679 (N.D.Cal.1994).
Sony Corp.
v. Universal City Studios, Inc, 464 U.S. 417 (1984).
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